The priority given to photographic content and the space devoted to it in the presentation of the portfolios has led more than once to Foam Magazine being described as a portable museum. It is an evaluation that delights us. We like the idea of each portfolio as a small-scale solo presentation where the prime consideration is photography — without distractions. We believe this to be a distinctive and essential feature of Foam Magazine. Young people have always been a source of inspiration for photographers, but we sense that in recent years there has been a remarkable increase in the volume of work explicitly focusing on youngsters. Hence the editorial decision to exclude any historical portfolio in this issue of Foam Magazine, and rather to concentrate on work that was shot recently. We present work from Thin by Lauren Greenfield, which focuses on teenage girls in the US who are suffering from serious eating disorders and a profoundly disturbed self-perception. The young people portrayed by Ryan McGinley are far less disturbed. His work is distinctive for its unprecedented energy and zest for life, as if he were fuelled directly by the unbridled energy and non-conformist behaviour of the group of friends in front of his lens. In his latest series, School, Raimond Wouda took photographs of massed groups of students from an elevated viewpoint.
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Jess Silva is a lowrider photographer but at the Vegas Super Show she was working the Dream On booth when we pulled here aside to get a few shots. Our main focus at a show is to capture the cars, but we always make sure to take a second to snap a few photos of some of the lovely ladies. Una is a Serbian model who moved to the States over a decade ago and all she packed was a suitcase and a dream. When we first met Miami native Elizabeth Ruiz, she was a recent transplant to Los Angeles whom we had many questions for.
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